Mrs. Dowling's Art Blog
Wednesday, September 18, 2013
Pottery 2: Natural Abstractions
Multiples in art ideas and artists:
Legos art by Nathan Sawaya
http://brickartist.com/category/gallery/
Andy Goldsworthy
http://pennstatesculpture.blogspot.com/2012/07/andy-goldsworthy-multiples.html
Ya Ya Chou
http://pennstatesculpture.blogspot.com/2012/07/yaya-chou.html
Willie Cole
http://pennstatesculpture.blogspot.com/2012/07/willie-cole-multiples.html
Tara Donovan
http://pennstatesculpture.blogspot.com/2012/07/tara-donovan-multiples-project.html
Do Ho Suh
http://pennstatesculpture.blogspot.com/2012/07/do-ho-suh-multiples-project.html
Pottery 2 Art Critic Response Week of 9-16-13
Art Critic Response
One of the standards: Envision and Critique to Reflect, allows students to create and use a visual vocabulary. The Art Critic element of the Pottery classes is designed to encourage a class-wide discussion regarding the elements and principles of design, techniques, skills and ways in which artists utilize these to facilitate their visual communication .
Students will be presented with a new artwork approximately every other week and will be expected to write a full paragraph response to the weekly prompt. Discussion and reactions to classmate posts are encouraged/expected. The purpose of this blog is to encourage open dialogue and will be a factor in grading. Please keep all comments positive and courteous. Please use complete sentences and proper grammar. It is suggested that you first type your response in Microsoft Word, perform a spell-check, and then paste your response.- Go to this website: http://www.jtceramics.com/ artist Judy Tavill
- Click on 2011-present, Pick one of her pieces.
- Respond to the post below
Please
post a full paragraph discussing the piece you choose following these guidelines:
- Use the art elements and principles below to describe the piece. Be specific, develop your answers and feel free to respond to your classmates’ posts.
- What is your opinion of this piece (Please do not use simple answers like, "It sucks, or, "I like it".)
TO RESPOND TO POST:
1) Read the information about the artist/look at the pictures.
2) Type your responses in a Word document - spell check and save!!!!!
3) Scroll down and click on “Comments” button – this will take you to the “Comments” screen
4) Paste your responses in the box on the right - each response must be at least 5 sentences long for full credit!
5) Make sure you write your name in the response box – or you won’t receive credit!!!! -
6) Scroll down and click on “Anonymous”
7) Click “Publish your comment”
8) YOU MUST SEE THE YELLOW BAR AT THE TOP OF THE PAGE THAT SAYS: "Your comment has been saved and will be submitted for blog owner approval." - IF YOU DON'T SEE THIS YELLOW BAR, RESUBMIT YOUR RESPONSE!!!
Use the Elements of Art and Principles of Design to help you:
See this website or see below.
http://flyeschool.com/content/elements-artdesign-and-principles-designorganization
Elements of Art
· Color: primary, secondary, tertiary, intermediate, analogous and monochromatic, intensity tones, warm and cool
· Form: geometric, e.g. rectangular prisms, pyramids, triangular prisms, cubes, cones, spheres, and cylinder organic forms: no angles
· Line: continuous, vertical, horizontal, diagonal, curved, broken, implied, horizon line, parallel, perpendicular,intersecting, contour
· Shape: geometric and organic, positive and negative, relational, opened and closed
· Space: foreground, background, middle, overlapping, proportion, positive and negative, high/low placement
· Texture:implied and actual
· Value:lightness and darkness
Principles of Design
· Balance (symmetrical, radial, asymmetrical)
· Contrast (big/small, light/dark)
· Emphasis/focal point
· Movement (sequential, optical, actual, and implied)
· Pattern/repetition (geometric, organic, ordered, symmetrical, asymmetrical, etc.)
· Rhythm (repetition, alternation or progression)·
Unity (cohesiveness or oneness, harmony).
Evaluation of the post is based on the
following parts of Art Criticism: Understands and applies
the art criticism process to their work and the works of others
Describing
using the elements- line, shape, space, color,
form, value, and texture
Analyzing
principles-pattern, contrast, balance, rhythm,
movement, unity how are the elements used through the
principles
Interpreting-
hypothesizing about what the artist is trying to
say, what is the mood, theme?
Judging-
evaluating- was the artist successful in creating
a mood or theme, why or why not?
Wednesday, September 4, 2013
Art Critic Response Week of 9-23-13
Go to this link: http://www.metmuseum.org/toah/works-of-art/17.118.74
Art Critic Responses:
One of the standards: Envision and Critique to Reflect, allows students to create and use a visual vocabulary. The Art Critic element of the Pottery classes is designed to encourage a class-wide discussion regarding the elements and principles of design, techniques, skills and ways in which artists utilize these to facilitate their visual communication .
Students will be presented with a new artwork approximately every other week and will be expected to write a full paragraph response to the weekly prompt. Discussion and reactions to classmate posts are encouraged/expected. The purpose of this blog is to encourage open dialogue and will be a factor in grading. Please keep all comments positive and courteous. Please use complete sentences and proper grammar. It is suggested that you first type your response in Microsoft Word, perform a spell-check, and then paste your response.
Please post a full paragraph discussing the tea bowl above.
- What is your opinion of this tea bowl (Please do not use simple answers like, "It sucks, or, "I like it".) Use the art elements and principles below.
- What aspects of Wabi-Sabi are shown in the tea bowl. Be specific, develop your answers and feel free to respond to your classmates’ posts
Evaluation of the post is based on the following parts of Art Criticism: Understands and applies the art criticism process to their work and the works of others
Describing
using the elements- line, shape, space, color, form, value, and texture
Analyzing
principles-pattern, contrast, balance, rhythm, movement, unity
how are the elements used through the principles
Interpreting-
hypothesizing about what the artist is trying to say, what is the mood, theme?
Judging-
evaluating- was the artist successful in creating a mood or theme, why or why not?
Use the Elements of Art and Principles of Design to help you:
See this website or see below.
http://flyeschool.com/content/elements-artdesign-and-principles-designorganization
Elements of Art
· Color: primary, secondary, tertiary, intermediate, analogous and monochromatic, intensity tones, warm and cool
· Form: geometric, e.g. rectangular prisms, pyramids, triangular prisms, cubes, cones, spheres, and cylinder organic forms: no angles
· Line: continuous, vertical, horizontal, diagonal, curved, broken, implied, horizon line, parallel, perpendicular,intersecting, contour
· Shape: geometric and organic, positive and negative, relational, opened and closed
· Space: foreground, background, middle, overlapping, proportion, positive and negative, high/low placement
· Texture:implied and actual
· Value:lightness and darkness
Principles of Design
· Balance (symmetrical, radial, asymmetrical)
· Contrast (big/small, light/dark)
· Emphasis/focal point
· Movement (sequential, optical, actual, and implied)
· Pattern/repetition (geometric, organic, ordered, symmetrical, asymmetrical, etc.)
· Rhythm (repetition, alternation or progression)
· Unity (cohesiveness or oneness, harmony).
DIRECTIONS FOR RESPONDING TO POSTS ON THIS BLOG
TO RESPOND TO POST:
1) Read the information about the artist/look at the pictures.
2) Type your responses in a Word document - spell check and save!!!!!
3) Scroll down and click on “Comments” button – this will take you to the “Comments” screen
4) Paste your responses in the box on the right - each response must be at least 5 sentences long for full credit!
5) Make sure you write your name in the response box – or you won’t receive credit!!!! -
6) Scroll down and click on “Anonymous”
7) Click “Publish your comment”
8) YOU MUST SEE THE YELLOW BAR AT THE TOP OF THE PAGE THAT SAYS: "Your comment has been saved and will be submitted for blog owner approval." - IF YOU DON'T SEE THIS YELLOW BAR, RESUBMIT YOUR RESPONSE!!!
Monday, August 19, 2013
Tuesday, July 30, 2013
Pottery 1 & 2 Binder Entries
Most artists keep sketchbooks in which they experiment with ideas and collect drawings of their environment. Sketchbooks are like visual diaries for artists. Artists often use them for planning and developing their work.
Picasso Produced Over 178 Sketchbooks
Each Friday you will have a binder entry due. The purpose of this is for you to plan, share and reflect on your art learning and making processes.
You may choose to enter the information in your binder or on your blog. The entries need to include the following:
Picasso Glazing a Platter |
Most artists keep sketchbooks in which they experiment with ideas and collect drawings of their environment. Sketchbooks are like visual diaries for artists. Artists often use them for planning and developing their work.
Picasso Produced Over 178 Sketchbooks
Use Your Imagination |
You may choose to enter the information in your binder or on your blog. The entries need to include the following:
- Daily art prompts- 2-3 sentences and/or drawings minimum for each question in the prompt.
- Notes and research for the assignment with images related to the assignment cut out of magazines or found online and put on your blog
- Glaze records (if applicable this week)
- Sketches for the current project to includeDrawings, a plan including how you will make it and what surface decoration you will use. You may also include printed images.
- Rubrics for the assignments
- See Art Critic and Binder/Blog Entries for this week's prompts and to help with your research.
Thursday, July 25, 2013
Pottery
Art Critic
Art Critic Responses:
One of the standards: Envision and Critique to Reflect, allows students to create and use a visual vocabulary. The Art Critic element of the Pottery classes is designed to encourage a class-wide discussion regarding the elements and principles of design, techniques, skills and ways in which artists utilize these to facilitate their visual communication .
Students will be presented with a new artwork at the beginning of each class week and will be expected to write a full paragraph response to the weekly prompt. Discussion and reactions to classmate posts are encouraged/expected. The purpose of this blog is to encourage open dialogue and will be a factor in grading. Please keep all comments positive and courteous. Please use complete sentences and proper grammar. It is suggested that you first type your response in Microsoft Word, perform a spell-check, and then paste your response.
Response 1: Week of 8-26-13
Do Ho Suh, Karma, 2003
Please post a full paragraph discussing the sculpture above.
- What is your opinion of this sculpture? (Please do not use simple answers like, "It sucks, or, "I like it".) Use the art elements and principles below.
- Do you feel that the artist was attempting to communicate anything with this work? If so, what?
- Be specific, develop your answers and feel free to respond to your classmates’ posts.
Evaluation of the post is based on the following parts of Art Criticism: Understands and applies the art criticism process to their work and the works of others
Describing
using the elements- line, shape, space, color, form, value, and texture
Analyzing
principles-pattern, contrast, balance, rhythm, movement, unity
how are the elements used through the principles
Interpreting-
hypothesizing about what the artist is trying to say, what is the mood, theme?
Judging-
evaluating- was the artist successful in creating a mood or theme, why or why not?
Use the Elements of Art and Principles of Design to help you:
See this website or see below.
http://flyeschool.com/content/elements-artdesign-and-principles-designorganization
Elements of Art
· Color: primary, secondary, tertiary, intermediate, analogous and monochromatic, intensity tones, warm and cool
· Form: geometric, e.g. rectangular prisms, pyramids, triangular prisms, cubes, cones, spheres, and cylinder organic forms: no angles
· Line: continuous, vertical, horizontal, diagonal, curved, broken, implied, horizon line, parallel, perpendicular,intersecting, contour
· Shape: geometric and organic, positive and negative, relational, opened and closed
· Space: foreground, background, middle, overlapping, proportion, positive and negative, high/low placement
· Texture:implied and actual
· Value:lightness and darkness
Principles of Design
· Balance (symmetrical, radial, asymmetrical)
· Contrast (big/small, light/dark)
· Emphasis/focal point
· Movement (sequential, optical, actual, and implied)
· Pattern/repetition (geometric, organic, ordered, symmetrical, asymmetrical, etc.)
· Rhythm (repetition, alternation or progression)
· Unity (cohesiveness or oneness, harmony).
Describing
using the elements- line, shape, space, color, form, value, and texture
Analyzing
principles-pattern, contrast, balance, rhythm, movement, unity
how are the elements used through the principles
Interpreting-
hypothesizing about what the artist is trying to say, what is the mood, theme?
Judging-
evaluating- was the artist successful in creating a mood or theme, why or why not?
Use the Elements of Art and Principles of Design to help you:
See this website or see below.
http://flyeschool.com/content/elements-artdesign-and-principles-designorganization
Elements of Art
· Color: primary, secondary, tertiary, intermediate, analogous and monochromatic, intensity tones, warm and cool
· Form: geometric, e.g. rectangular prisms, pyramids, triangular prisms, cubes, cones, spheres, and cylinder organic forms: no angles
· Line: continuous, vertical, horizontal, diagonal, curved, broken, implied, horizon line, parallel, perpendicular,intersecting, contour
· Shape: geometric and organic, positive and negative, relational, opened and closed
· Space: foreground, background, middle, overlapping, proportion, positive and negative, high/low placement
· Texture:implied and actual
· Value:lightness and darkness
Principles of Design
· Balance (symmetrical, radial, asymmetrical)
· Contrast (big/small, light/dark)
· Emphasis/focal point
· Movement (sequential, optical, actual, and implied)
· Pattern/repetition (geometric, organic, ordered, symmetrical, asymmetrical, etc.)
· Rhythm (repetition, alternation or progression)
· Unity (cohesiveness or oneness, harmony).
DIRECTIONS FOR RESPONDING TO POSTS ON THIS BLOG
TO
RESPOND TO POST:
1) Read the information about the artist/look at the pictures.
2) Type your responses in a Word document - spell check and save!!!!!
3) Scroll down and click on “Comments” button – this will take you to the “Comments” screen
4) Paste your responses in the box on the right - each response must be at least 5 sentences long for full credit!
5) Make sure you write your name in the response box – or you won’t receive credit!!!! -
6) Scroll down and click on “Anonymous”
7) Click “Publish your comment”
8) YOU MUST SEE THE YELLOW BAR AT THE TOP OF THE PAGE THAT SAYS: "Your comment has been saved and will be submitted for blog owner approval." - IF YOU DON'T SEE THIS YELLOW BAR, RESUBMIT YOUR RESPONSE!!!
1) Read the information about the artist/look at the pictures.
2) Type your responses in a Word document - spell check and save!!!!!
3) Scroll down and click on “Comments” button – this will take you to the “Comments” screen
4) Paste your responses in the box on the right - each response must be at least 5 sentences long for full credit!
5) Make sure you write your name in the response box – or you won’t receive credit!!!! -
6) Scroll down and click on “Anonymous”
7) Click “Publish your comment”
8) YOU MUST SEE THE YELLOW BAR AT THE TOP OF THE PAGE THAT SAYS: "Your comment has been saved and will be submitted for blog owner approval." - IF YOU DON'T SEE THIS YELLOW BAR, RESUBMIT YOUR RESPONSE!!!
Wednesday, February 27, 2013
AP Studio Art Concentration
Start thinking about your artist statement for your concentration.
Here is a good website:
http://lhs.loswego.k12.or.us/z-mcbrides/AP/breadthconcentration0708.htm
3D Design:
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220099.html#sample1
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220099.html#sample2
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220099.html#sample3
http://www.apstrategiesarts.org/StudioArt/APPortfolioPrep/tabid/90/AlbumID/464-8/Default.aspx
Drawing:
http://www.apstrategiesarts.org/StudioArt/APPortfolioPrep/tabid/90/AlbumID/464-9/Default.aspx
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220229.html#sample1
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220229.html#sample2
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220229.html#sample3
Start thinking about your artist statement for your concentration.
Here is a good website:
http://lhs.loswego.k12.or.us/z-mcbrides/AP/breadthconcentration0708.htm
3D Design:
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220099.html#sample1
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220099.html#sample2
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220099.html#sample3
http://www.apstrategiesarts.org/StudioArt/APPortfolioPrep/tabid/90/AlbumID/464-8/Default.aspx
Drawing:
http://www.apstrategiesarts.org/StudioArt/APPortfolioPrep/tabid/90/AlbumID/464-9/Default.aspx
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220229.html#sample1
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220229.html#sample2
http://apcentral.collegeboard.com/apc/members/exam/exam_information/220229.html#sample3
Tuesday, November 20, 2012
AP Studio Art 3D Design Breadth 6
AP
3 D Design: Breadth 6: Identity Architecture: Plaster casts of simple iconic building forms embedded
with industrial or organic materials . An altar about you. Architecture
from your childhood: a fort, a tree house, a decaying house…Maybe you will reference a Life Changing Experience: have you ever
wondered if there was a significant experience that changed you. Someone whom
you may have lost, a Grand Canyon river experience, a time when you were graced
and survived a situation.
Reading/Blog: SS: 225
Blog2:
Students must write a short proposal explaining what they would like to focus
on for the concentration portion of the class.
Concentration Info:
• You must create 15- 20 pieces of artwork
utilizing the theme that you select
• These pieces must show a progression and discovery both thematically and technically.
• You must keep a weekly Blog log of your progress, discoveries, struggles, etc.
• These pieces must show a progression and discovery both thematically and technically.
• You must keep a weekly Blog log of your progress, discoveries, struggles, etc.
The
work selected for your final “concentration portfolio” should be your best work
Think of this as you would a scientific experiment/investigation – your will
start off as a hypothesis and your idea may further develop throughout your
investigation – your work should show a process or maturity and discovery
Materials that
could be used
Clay
Leathers
Feathers
Metal
Straw
Fabric
Wood
Glass
Paper
Photographs
Plastic
AP Studio Art Drawing Breadth 8
AP Drawing Breadth # 8 Lesson: A Day in the life of me, my Everyday World
Objectives:
Students will explore the idea of identity in their everyday lives by taking an old photograph and slightly abstracting it into an art piece.
Students will apply methods of abstraction
Blog: Browse the book: http://books.google.com/books?id=GbhZ-fd8kroC&dq=composition+in+art&printsec=frontcover&source=bl&ots=67FAejsnlA&sig=2PwBkP5ZlGsuKtPnOnDCOB2-bgM&hl=en&ei=lqnvStvTOY30sQO4qfnyBQ&sa=X&oi=book_result&ct=result&resnum=5&ved=0CBoQ6AEwBA#v=onepage&q=&f=false
Make comments on what you learned about composition in your blog
Sketchbook: Do 10 thumbnails of the compositon for your final piece in your sb.
Robert Longo
Untitled (Puncher)
1978
Charcoal and graphite on paper
http://www.robertlongo.com/work/gallery/1122
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Project PORTRAIT COMPOSITION: Paint or draw an abstraction from an old family or personal photo paying special attention to issues of VALUE and EMPHASIS..
Thursday, November 1, 2012
AP Studio Art 3D Breadth 5
Idenity Self-Portrait: see the power point on the website:
https://sites.google.com/a/adams12.org/dowlingpottery1/ under the identity file.
Robert Arneson
Watch this video:
http://www.sfmoma.org/explore/multimedia/interactive_features/5#
https://sites.google.com/a/adams12.org/dowlingpottery1/ under the identity file.
Robert Arneson
Watch this video:
http://www.sfmoma.org/explore/multimedia/interactive_features/5#
Monday, October 15, 2012
AP Drawing Breadth 6, Juxtaposition
Juxtaposition
is collage,
which means placing one image in the context of another. Juxtaposition can also
mean relating one idea to another; this is conceptual collage. In
both cases, the juxtaposition constructs meaning by setting up a relationship
between the entities that are put together. This is a relationship based on a
shared concept. When we see these entities together we search for and discover
that concept that links them.
Create a work of art related to an
unusual juxtaposition. Consider concepts and items that normally wouldn’t be
seen together. Look at the surrealists and modern day illusionists for ideas.
Remember that according to André Breton, who published "The
Surrealist Manifesto" in 1924,
Surrealism was a means of reuniting conscious and unconscious realms of
experience so completely, that the world of dream and fantasy would be joined
to the everyday rational world in "an absolute reality, a surreality." Surrealism and
juxtaposition art also plays with scale and emphasis, making the relationship
between objects unusual and out of normal scale.
Student Concentration using juxtaposition
http://apstudioartatwoodstock.blogspot.com/2011/11/concentration-surreal-juxtaposition.html
Juxtaposition: Joining two or more images to create a new
image.
AP 3D Breadth 4 Juxtaposition
Juxtaposition
How does the juxtaposition of materials in an art work create meaning?
Reading: Shaping Space pp. 28-33
Look at the images and video (links) below to see examples of juxtaposition.
Surrealism-
a 20th-century avant-garde movement in art and literature that sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images.
Meret Oppenheim's, Fur Cup was created in the art period of Surrealism and represents juxtaposing various materials but also the idea of the odd sensation it would be to drink out of a fur cup
Scroll to the video below:
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A4416&page_number=1&template_id=1&sort_order=1
Michelle Taylor modern version's of Meret Oppenheim's cup
Brad Bachmeier
The familiar image of the UPC bar code on this hand-made wheel-thrown ceramic vessel creates an immediate and ironic juxtaposition. In the vocabulary of this body of work, the modern symbol hints at commercialism, marketing and consumerism as well as setting forth questions about the application of this artificial symbol on this organic matter implying deeper impositions of technological advances.
This vessel form uses the ancient term philatory, a word used to describe a niche which contains something sacred while allowing you to see the object. In this case we are peering at three human moral plagues in modern forms, namely: Power, Possessions and Pleasure. The figurative element to the vessel provides both a personal and generalized human attachment to these large issues. The Golem-like figure illustrates how mindlessly human motivations and actions can be considered.
Magnus Gjoen’s shows the juxtaposition between the beautiful and the destructive or undesirable.
Ai Wei Wei
Roberto Lugo
“Weight Loss Attempt Via Suicide with A Toy Gun”
Carlos Dye
Constructing personal narratives through popular imagery based on memories of my life, and dreams is the foundation of my work. In my work there is angst, happiness, temptation, and sorrow that I transcribe through iconography, and symbolism. The illustrations displayed in my work creates a natural confusion for the viewer when juxtaposed among conflicting images. This illusory approach creates consonance for the viewer.
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Tuesday, October 2, 2012
AP Drawing Breadth 5
AP Drawing Breadth #5 Line and
Emotion
Reading/Blog: DCA, pp 52-66, Chapter 5, Colston
86-87 scan a childhood drawing scan the sketchbook drawing and comment on the
experience and add to your blog.
Sketchbook: Recreate a childhood photo using one of the types of line
described in Drawing: a Contemporary Approach chapter 5. Think about how you felt at the time the
photo was taken. Were you happy? The lines might be Lyrical: twirly and light.
Angry? The lines might be Constricted/Aggressive : heavy and
strong. Shy? Calligraphic.
Do the exercises on 132-134 before you tackle the drawing.
Project:
Create a self portrait today using the same idea as the sketchbook assignment.
·
We can take your portrait and edit it in
Photoshop but also use the mirror as reference and set up a light.
·
Do 10 or more thumbnail sketches to work out
the composition. Where are you on the
picture plane?
·
Begin with creating several contour line
drawings (p. 125) on newsprint using a felt tipped pen. Remember to show a
light source with thin and thick lines.
·
Choose one contour line drawing and fill with
cross-contour lines using the felt tip pen. (p. 129). Remember to show a light
source with thin and thick lines
·
Begin sketching your final drawing with
pencil very lightly. Add the light source.
·
Fill at least 90% of the 18 x 24 inch page
with your portrait.
·
Choose your medium: charcoal, sharpie or
conte crayon
·
Test out the medium with mark making
different lines on paper
·
Add your lines
· Spray with fixative and prepare for presentation
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Great Art Links
- Monotype prints by Sandy Walker
- Children's Book Illustrators
- Illustrator list
- De La Rosa, systematic drawings
- Paint Albrech Durer's Rabbit
- Jackson Pollack Making Marks
- Yanagi mark making
- Mark making with Brice Marden
- Make a Mortorized Scribble Machine
- AP Portfolio Examples
- Scratchboard basics
- Understanding Value
- AP Drawing Portfolio
- AP Studio Art Website
- Brainstorming Webquest to help you write your concentration statement
- Summer and Extra Classes in Denver
- Careers in Art
- Drawing and Painting Vocabulary
- Drawing and Painting and AP Essential Learnings
- Elements and Principles Vocabulary
- Rules of Good Composition Design
- Why Take AP? Washington Post Article
- AP Concentration Portfolio Example
- AP Breadth Portfolio Example
- AP Final To Do List
- AP Portfoilo Directions
- AP Concentration Statement Advice
- Carbondale Clay Center
- Ceramics Monthly
- Clay Times
- Ceramics National Juried Show
- Find an art school
- Cal Arts School
- Rhode Island School of Design
- Denver's Santa Fe Art District
- Front Range Community College Art Department
- Art Institute of Colorado
- CSU Art Department
- CU Boulder Art Department
- Rocky Mountain College of Art and Design
- Denver Museum of Contemporary Art
- Denver Art Museum